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PUBLICATIONS:

“The Bancho Family of Trumpeters: Patronage and Welfare in Renaissance Parma,”  Journée de cuivres: Proceedings of the 1999 International Symposium on Historic Brass Research, Pedagogy, Performance and Conservation, Paris, ed. Stewart Carter (New York: Pendragon, 2003)--Forthcoming.

“The Theorist as Critical Listener: Pietro Pontio's Nine Cause di varietà,” Theoria 10 (2003)--Forthcoming.

Pietro Pontio’s Dialogo (1596): An Electronic Edition (Utrecht: Thesaurus Musicarum Italicarum, 2002) http://www.euromusicology.org/tmiweb/tmiweb.htm

“Creating Anthologies for the Middle Ages and Renaissance,”  Teaching Music History, ed. Mary Natvig. London: Ashgate, 2001, 160-171.

“Pontio, Pietro,” The New Grove Dictionary of Music and Musicians, revised edition, edited by Stanley Sadie  (London: Macmillan, 2001), vol. 20, 97-98.

Dictionary Entries: “Claude Goudimel,” “Luca Marenzio,” and “Claudio Monteverdi,” Renaissance and Reformation, 1500-1620: An Interdisciplinary Dictionary, ed. Jo Eldridge Carney (Westport, CN: Greenwood Press, 1999).

“Delaware” in Chamber Music 16 (October, 1999), 56-60.

“New Documentation Concerning the Biography of Nicolò Burzio,” Studi Musicali 24 (1995): 263-282.

“On the Teaching Duties of the Maestro di Cappella in Sixteenth-Century Italy: The Processo against Pietro Pontio,” Explorations in Renaissance Culture 14 (1988): 115-128. 

“The Influence of the Cantus Firmus on Modal Structure in the Masses of Antoine Brumel,” Theoria 1 (1985): 61-83. 

“The Performance and Transmission of Western Plainchant: Some Evidence From the Old Roman Repertory,” A Gift of Essays for Cecil Adkins on his 50th Birthday, ed. Susan Treacy (Denton: Editio Amadeus, 1982), 90-111. 

Gioacchino Rossini, Otello, ed. Michael Collins (Pesaro: Fondazione Rossini, 1995).  Served as assistant to Michael Collins in preparation of edition.

Book Reviews:

Faun Tanenbaum Tiedge, ed., Giovanni Porta, Selected Sacred Music from the Ospedale della Pietà.  (Recent Researches in the Music of the Baroque Era, Vol. 74) Madison, WI, A-R Editions, Inc., 1995, in The Eighteenth Century: A Current Bibliography 18 (2001).

Anne Schnoebelen, ed., Masses  by Maurizio Cazzati, Giovanni Antonio Grossi, Giovanni Legrenzi.  New York : Garland, 1997, in The Eighteenth Century: A Current Bibliography 18 (2001).

Michael Talbot, Benedetto Vinacesi: A Musician in Brescia and Venice in the Age of Corelli (Oxford: Clarendon Press, 1994), in The Eighteenth Century: A Current Bibliography 17 (2000).

Jane Bernstein, Music Printing in Renaissance Venice: The Scotto Press, 1539-1572 (New York: Oxford University Press, 1999), in Sixteenth Century Studies Journal 30 (1999): 1155-1156.

David Crook, Orlando di Lasso’s Imitation Magnificats for Counter-Reformation Munich (Princeton: Princeton University Press, 1994), in Music Analysis 18 (1999): 274-289.

Jeffery Kite-Powell, ed., Medieval and Renaissance Music: A Performer’s Guide (New York: Schirmer, 1995), Journal of the Viola da Gamba Society 34 (1997): 77-84.

Software Reviews:

Introduction to Classical Music, (Attica Cybernetics),  and Alan Rich, And So I’ve Heard (Voyager) in MLA Notes 53 (1996), 526-530.

Robert Winter, Mozart: The “Dissonant’ Quartet” (Voyager) and Alan Rich, Schubert: The “Trout” Quintet (Voyager) MusDisc News 4, no. 3 (Spring/Summer 1992). 

Recording Reviews: 
Paul McCreesh, The Gabrieli Consort and Players, et al., Christmas in Rome, Laser Disc recording reviewed in MusDisc News (Online Journal) Bulletin 10 (1996).

Robert Levy, Music for Trumpet (Golden Crest Records) International Trumpet Guild Journal 7/2 (December 1982): 28.

John Wallace, The Solo Trumpet, 1966-76 (Soma Records) International Trumpet Guild Newsletter 8/2 (February, 1992): 35-36. 

The Norton webBook: Web Resources for Joseph Machlis and Kristine Forney, The Enjoyment of Music, 8th edition. New York: Norton, 1999).  9th edition forthcoming, 2003.

Listening Guides for The Norton Recorded Anthology of Western Music.  New York: W.W. Norton, 2001.

“Opening the Classroom Door: Pedagogical Practices in the Late Renaissance.”  17th Congress of the International Musicological Society, Louven, Belgium, August 1-8, 2002.

“Telling Tales Out of School: hints for Pedagogical Style in Ludovico Zacconi’s Prattica di Musica (1612)” for Panel Discussion: Education Most Sovereign: Perspectives on Musical Pedagogy and Literacy, 900-1600, Sixty-Fifth Annual Meeting of the American Musicological Society, Kansas City, MO. November 4-7, 1999.

“The Bancho Family of Trumpeters: Patronage and Welfare in Renaissance Parma,” for International Symposium: Historic Brass Research, Pedagogy, Performance and Conservation, presented by the Historic Brass Society in conjunction with Cité de la Musique, March 10-13, Paris, France.

“Toward a Stylistic Definition of ‘Counterpoint’ in the Late Renaissance.”  Sixty-Fourth Annual Meeting of the American Musicological Society, Boston, MA, October 28-November 1, 1998, and Mid-Atlantic Chapter of the American Musicological Society, Widener University, October 18, 1998.

 “Using Technology to Teach the “Long Middle Ages.”  Northeast Chapter of the College Music Society, Trinity College, April 5-6, 1997; Joint Meeting of the Association for Technology in Music Instruction and the College Music Society, Cleveland, Ohio, November 13-16, 1997.

“From a Turk in Italy to a Moor in Venice:  The Evolution of a Rossini Overture.” Mid-Atlantic Chapter of the American Musicological Society, University of Delaware, April 20, 1996.

“Per augmento et honor del divino culto: Civic, Sacred, and Confraternal Music in the Papal State of Parma, 1521-1545.”  Renaissance Society of America, Dallas, TX, April 7-10, 1994; revised, Mid-Atlantic Chapter, American Musicological Society, West Chester, PA, April 1, 1995.

“The Exception Proves the Rule: Pontio’s Theoretical and Practical Exegesis of ‘Parody’.”   Fifty-Seventh Annual Meeting of the American Musicological Society, Chicago, IL, November 7-10, 1991.

“Pontio, Cerone, and Bona and a Northern Italian School of Theorists at the End of the Sixteenth Century.”  Sixteenth Century Studies Conference, St. Louis, MO, October 25-27, 1990.

“Pontio's Definition of Counterpoint: Aspects of Style and Genre in Non-Written Music in the Renaissance.”  Twenty-Fifth International Congress on Medieval Studies, Kalamazoo, MI, May 10-13, 1990; revised, Mid-Atlantic Chapter of the American Musicological Society, West Chester University, March 20, 1993.

“The Early History of the Musical Chapel at Santa Maria della Steccata in Parma.”  Twenty-Fourth International Congress on Medieval Studies, Kalamazoo, MI, May 4-7, 1989.

“On the Duties of the Maestro di Cappella.”  Thirty-Seventh Annual South-Central Renaissance Conference, Gulfport, MS, April 21-23, 1988. 

“Of Dalliances and Duties: New Documentation on the Life of Pietro Pontio.”  Fifty-Fourth Annual Meeting of the American Musicological Society, Baltimore, MD, November 3-6, 1988;  Spring, 1988 meeting of the Southwest Chapter of the American Musicological Society, Denton, TX, April 9, 1988.

“Text Setting in the Masses of Pietro Pontio (1532-1596): Some Aspects of Musical Style in the Counter Reformation.” Thirty-Fifth Annual South-Central Renaissance Conference, San Marcos, TX, April 3-5, 1986.

“The Performance and Transmission of Western Plainchant: Some Evidence From the Old Roman Repertory.”  Spring, 1983 meeting of the Southwest Chapter of the American Musicological Society, Waco, TX.

“The Influence of the Cantus Firmus  on Modal Structure in the Masses of Antoine Brumel.” Forty-Eighth Annual Meeting of the American Musicological Society, Ann Arbor, MI, November 4-7, 1982.

“The Medieval Mass: A Guided Tour of the Third Mass for Christmas Day” (undergraduate Medieval and Renaissance Music). 

“Exploring Plainchant I:  Music for Christmas Day” (undergraduate Medieval and Renaissance Music).

“Exploring Plainchant II:  The Age of Polyphony” (undergraduate Medieval and Renaissance Music).

“The Office of Vespers:  A Guided Hypermedia Tour of the Office of Second Vespers, Nativity of Our Lord” (undergraduate Medieval and Renaissance Music).

“Du Fay and Brunelleschi’s Dome:  A Hyper-media Introduction to Music and Architecture in the Early Modern Era (undergraduate Medieval and Renaissance Music, Honors Arts Forum).

“Hyper-Guide: Music of the Western Art Tradition” (Introduction to Music History).

“The Instruments of the Orchestra” (Appreciation of Music).
Hyper-Guide: Early Music” (undergraduate Medieval and Renaissance Music).

“Mozart’s Concerto in G, K. 453” (Appreciation of Music, Introduction to Music History).

“The Foundations of Music: Rhythm, Texture and Form” (Appreciation of Music, Introduction to Music History).